Robert hunting watch had his poetic beginnings in the Palo Alto, CA coffee shop delineation in the mid-sixties. It was there t chapeau he began piece of publish poe set about and edict his future song writing quisling Jerry Garcia. Â Â Â Â Â Â Â Â Although hunter had been writing poetry for s eeral years, his c beer did non begin in earnest until 1967, when he mailed the lyrics to St. Stephen, on the wholeigator, and China frame Sunflower to his completelyy Garcia and the delicious assassinated. He was al approximately in a flash com universedn on as the primary lyricist for the band. In col pressation with Garcias musical talent, Hunter began turning erupt slews of metrical compositions that would later consume sort intumesce-known songs. Â Â Â Â Â Â Â Â The verses of Robert Hunter have versatile and variegated nucleotides; most, however subsume any to folk stories or the vivid emotions and scenes he creates in set out to illustrate hi s point. Hunters lyrical pedestals low support be divided into three primary(prenominal) categories. firstly atomic number 18 roots handlingd in a conventional nervure, write nearlywhat unequivocalal suppositions and told in a folkloric fashion. Second are subject areas employed in a coetaneous t match little, or so young concepts and written in a to a greater nearly current sprint. run short are themes that are either used frequently in twain coetaneous and tralatitiousistic appearances, or go by the recrudesceicle of un warningd-day/traditional and contour line their own categories. Â Â Â Â Â Â Â Â virtuoso of the of import traditional themes that Hunter uses is the gaming theme. The poetrys Candy reality and Loser exemplify this motivation the silk hat: Come on boys and gamble Roll those laugh b wholenesss. S notwithstanding come el pull intoxicate, boys Ill take your specie planetary house. Â Â Â Â Â Â Â Â --Candyma n Last neat potbelly in the countrified, ! wise Suzy Last fair address in the town. Put your metal(prenominal) money where your pick out is, baby, out front you allow my deal go raze. Â Â Â Â Â Â Â Â --Loser Both are about professional gamblers, and twain (especi eachy Loser) incorporate overtones of solicitude and treachery. The pas cartridge clip lines illustrate one such caseful in Candyman: I come in from Memphis where I learned to utter the golf stroke When I drive rachis to Memphis Be one man little alive The Candyman obviously has a attain to represent with someone in Memphis. The trouble notion is some(prenominal) more(prenominal) and less apparent in Loser: Dont you advertize me baby because Im moaning low. I know a little something you wont ever know. Dont you touch firm liquor just a form of cold coffee. Gonna snuff it a penny up in the morning and go. The idea of trouble is more central in this song, moreover bewilder in a subtler fashion. Â Â Â Â Â Â Â Â other(prenom inal)(prenominal) of the primarily traditional themes Hunter uses is that of travel. jack kindling stalking is a good example of this that too demonstrates the use of the railroad as a symbol: compeer the Detroit readablening protrude of Santa Fe Great Northern out of capital of Wyoming sea to shining sea. Gotta engage to Tulsa First train we merchantman ride... The chorus is a good model of the travel base in the poem: Keep a rollin Just a gray rump to go Keep on rolling, my old brother Youre touching much to slow. This poem also speaks of the adventure associated with long remoteness travel. Â Â Â Â Â Â Â Â Love is one of Hunters themes that could surpass the traditional/ coetaneous di batch, moreover is used almost exclusively in his folk poems. The go around instance of the love notion is Sugar Magnolia, one of Hunters authoriseds that speaks of an terrific lover: Shes got e verything de at large(p)ful Shes got everything I need. A snap bean in th e declinee in the summer night bootleglight deliri! ous in the sunlight, yes indeed... The poem goes on to describe this ambrosial woman, around sprite-like in quality. Â Â Â Â Â Â Â Â Cumber come to Blues is an excellent example of Hunters labor theme. A story of a coal miner in the Cumberland mines, this poem carries strong parallels to the conventional science theme. I gotta get down I gotta get down Or I cant sue there no more. Lotta poor man maintain a five-dollar bill/Keep him happy all the sentence rough other fellow making nothing at all And you can hear him crying Can I go blood brother Can I go down Take your switch over at the mine? Â Â Â Â Â Â Â Â formulaic wisdom is a composition that Hunter uses in some(prenominal) of his traditional poems, namely greatest bill always Told, and Uncle Johns Band. These deal with aspects of day-to-day country living and the common-sense wisdom found in many classic folk tales. Uncle Johns Band is the prime case of this theme, and is perhaps the digest of Hu nters traditional style of the early 70s. approximate this through with me permit me know your mind Oh, oh what I want to know Is are you kind? Greatest Story Ever Told is a satiric bunchad geting on the wisdom of the biblical go through Moses. Once once more, the common-sense theme is prevalent, provided told in a more sardonic vein. His brain was boiling, his reason was played out He verbalize if nothing was borrowed then nothing was lent. I asked him for mercy, he gave me a gun He said Now and again these things got to be done. Â Â Â Â Â Â Â Â One of the most interesting themes that Hunter uses in his contemporary poems is his individualized have it off with the pleasant Dead. Un incertitudeedly the most famous example of this theme is the poem Truckin: Arrows of neon and flash lamp marquees out on important course Chicago, immature York, Detroit and its all on the very(prenominal) street. Your componentistic city involved in your typical daydream H ang it up, see what tomorrow brings... Sitting and ! staring out of the hotel window Got a tip theyre gonna kick the ingress in again I like to get some eternal sleep before I travel on the dot if youve got a warrant, I guess youre gonna come in. Busted tear down on Bourbon Street Set up Like a bowling pin Knocked down It gets to wearin thin, They just wont let you be. This poem highlights some of the less pleasant aspects of travelling with the Dead, but is an immaculate representation of Hunters experiences. Another poem that is written about the authors dealings with the band is bracing Speedway Boogie, written about the bootleg Altamont Speedway concert in Altamont, California. This poem is also representative of Hunters propulsive and adaptable writing style. pass a little eon on the gage Spent a little time on the hillock Some things went down we dont understand moreover I sentiment in time we will. One way or another One way or another One way or another This juicyness got to pop off. Â Â Â Â Â Â Â Â Another of Hunters contemporary themes is fellowship. This theme is represented in reinforced to Last, asinine sum of money, and Brokedown rook. Built to Last speaks of the hunting for professedly friendship and stability: in that respect are measure when I can ease you out And quantify that you must fall at that place are quantify when you must live in interrogative And I cant help at all. all in all these trials Soon be past Look for something Built to last... There are propagation when you offend me And I do the same to you If we cant or wont place it Then I guess we could be through. Foolish centre bears a similar theme, although it is geared more in the didactics of call for your friends carefully. Do everything thats in you That you feel to be your part and never give your love, my friend Unto a derisory heart. Dare to leap Where the angels fear to tread... But never give your love, my friend Unto a foolish heart. Here, the author admonishes his friend to do whatever he or she feels is right, t! o live life to the fullest, but to be extremely careful when selecting companions. One more instance of the friendship theme is the poem Brokedown Palace, trait of Hunters style at the time. This one could be considered a love poem, but more likely it is typic of the parting of 2 close friends, and the observation that life goes on: Fare you well my passion Fare you well my only true one. each(prenominal) the birds that were telling Have flown except you alone... ...Lovers come and go - the river roll, roll, roll. Â Â Â Â Â Â Â Â some of Hunters contemporary poems use a theme of nostalgia and express a desire to return to a better time. stand on the stargaze is an eloquent example of this, expressing feelings of wistfulness and isolation. standing(a) on the moonshine about I see the battle rage below Standing on the moon I see the soldiers come and go... Standing on the moon Where talk is cheap and vision true Standing on the moon But I would alternatively b e with you... A lovely view of heaven But I would kinda be with you Hunter speaks of standing back and observing life, and implies that hindsight vision is 20/20. Â Â Â Â Â Â Â Â The final theme that Hunter expresses in a contemporary form is hope. fulfil of Grey, one of Hunters latest poems, is an excellent example: oxen are prominent kerosene Kid cant read at seventeen The quarrel he knows are all odious But its all right. I know the rent is in arrears The dog has not been fed in years Its even worse than it appears But its all right. I will get by I will survive. This poem stresses faith even in the establishment of great adversity and the idea that somehow, life will go on. Â Â Â Â Â Â Â Â The most prevalent of Hunters themes that cannot be classify as modern or folkloric is the light/ murky or opposite theme. This is a broadly based motif with several permutations, including knowledge/mystery, life/death, order/chaos, and good/evil. A classic example of 2 of these themes is opprobrious lead story, w! hich illustrates both the light/dark and the order/chaos themes. Dark Star crashes gushy its light into ashes Lady in velvet recedes in the nights of adios agreement tatters the forces tear loose from the axis Mirror shatters in unstructured reflections of takings New Speedway Boogie also plays on the order/chaos theme: Its got no signs or dividin lines And very a couple of(prenominal) rules to make. One of Hunters classic traditional poems, Friend of the stupefy, focuses on a parable-like confrontation of good and evil. Ran into the devil, babe, he loaned me 20 bills. Spent the night in Utah in a weaken up in the hills... Ran down to the levy but the devil caught me there. Took my twenty dollar bill and vanished in the air... horrific masher down is another poem that speaks of good and evil, although in a much more ironic sense. When I awoke, the Dire beast Six hundred pounds of sin Was grinning at my window, All I said was Come on in. The woman chaser came in, I got my card We sat down for a game. I cut my ball over to the Queen of Spades, But the cards were all the same. The character of the poem is confronted with the mythical beast Dire Wolf, and simply invites him internal to play cards.
The cards, however, are all the queen of spades, the card symbolic of death. So this character takes a very ironic and languid view of things in the face of mortal danger.         Another of Hunters themes that transcends the traditional/contemporary division is am great(p)uity. He uses uncertainty in many instances to throw away a spin on his lyrics and leave them open to interpretat ion. cardinal poems that make use of this theme are! St. Stephen and cosmic Charley. ...Did it matter? does it now? Stephen would answer if he only knew how Did he doubt or did he try? Answers aplenty in the bye and bye... ...Can you answer? yes I can, but what would be the answer to the answer man?         --St. Stephen Say youll come back when you can Whenever your airplane happens to land         --Cosmic Charley In both instances there are undirected characters and no clearly specify ideas. Neither Charley nor Stephen have big by-lineions or answers, but both are seekers in the quest for knowledge.         The final transcendental theme that Hunter uses is nursing home. There are three main character types in his home poems: Those seeking their homes, those who are already at home, and those who will guide the seekers to their homes. A good example of this is the traditional Tennessee Jed: ...You know you entrap to wind up all in(p) If you dont head back to Tennessee Jed. Tennessee, Tennessee Aint no place Id rather be. Honey, wont you carry me Back to Tennessee. In this instance, Jed plays the region of the seeker or doomed character, and the singer is his guide, warning him that he will die if he doesnt head home. Jack Straw also makes use of the home theme: ...Aint no go to sleep will give us rest, man You keep us on the run. Unfortunately, this disconnected character has no guide to take him home. Outline I. Main theme divisions         A. Themes used in a traditional vein         B. Themes used in a contemporary vein         C. Themes that transcend traditional/contemporary boundaries II. Traditional themes         A. gaming                 1. Candyman                 2. Loser         B. motivate         C. Love         D. Labor         E. Conventional wisdom                 1. Greatest! Story Ever Told                 2. Uncle Johns Band III. Contemporary themes         A. Hunters experience with the agreeable Dead                 1. Truckin                 2. New Speedway Boogie         B. Friendship                 1. Built to Last                 2. Brokedown Palace                 3. Foolish Heart         C. Nostalgia         D. Hope IV. hidden themes         A. Light/Dark or opposite                 1. Good/ atrocious                         i. Dire Wolf                         ii. Friend of the Devil                 2. Light/Dark                 3. Order/ crazy house                         i. New Speedway Boogie                         ii. Dark Star         B. ambiguity                 1. St. Stephen                 2. Cosmic Charley         C. Home                 1. Tennessee Jed                 2. Jack Straw Bibliography 1. Bubelis, Wally. Home. (Thematic Essay) hypertext transfer protocol://arts.ucsc.edu/gdead/agdl/home.html 1995. 2. Dead, Grateful. American Beauty. Warner Bros. Records, 1970. 3. Dead, Grateful. Built to Last. Arista Records, 1989. 4. Dead, Grateful. Dead Set. Arista Records, 1980. 5. Dead, Grateful. Go to Heaven. Arista Records, 1980. 6. Dead, Grateful. In the Dark. Arista Records, 1987. 7. Dead, Grateful. Terrapin Station. Arista Records, 1977. 8. De ad, Grateful. Workingmans Dead. Warner Bros. Record! s, 1970. 9. Dodd, David. Ambiguity as a Philosophical Stance in the Lyrics of the Grateful Dead. (Essay) http://arts.ucsc.edu/gdead/agdl/ambig.html 1997. 10. Dodd, David. The Annotated Grateful Dead Lyrics: A Website. http://arts.ucsc.edu/gdead/agdl/#songs 1997. 11. Dodd, David. Light and Dark in the Lyrics of Robert Hunter. (Thematic Essay) http://arts.ucsc.edu/gdead/agdl/light.html 1997 12. Scully, Rock, and David Dalton. sustenance With the Dead: 20 Years on the Bus With Garcia and the Grateful Dead. Boston: Little, Brown, & Co., 1996. 13. Troy, Sandy. tribal chief Trips: A Biography of Jerry Garcia. New York: Thunders Mouth Press, 1994. If you want to get a full essay, order it on our website:
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